May 23, 2010
Fashion gears up for Cannes red carpet finale
May 23, 2010
CANNES, France, May 21, 2010 (AFP) - At Cannes, the buzz on likely winners of the festival's top prize Sunday 23 May is keeping fashionistas and film-makers alike awake at nights, as brands and movies fight for red carpet limelight.
A city studded with high-end jewellers and designer boutiques, sun-kissed Cannes mutates into the world's capital of luxury once a year when the 12-day festival comes around.
The prime time for Gucci, Pucci, Armani and the rest will be the gala close May 23 when paparazzi and TV networks from across the globe flash celebs sashaying up the red carpet's 24 steps for the Palme d'Or awards finale.
"The red carpet has become a catwalk show," said Francois Ortarix, spokesman for Swarovski, the Austrian crystal-makers of cutting-edge jewellery and other accesories.
The firm this year did "Desperate Housewife" Eva Longoria an 11th-hour favour when she called 15 minutes before stepping up the carpet to say her free 500-euro gift Swarovski clutch-bag was a little oversize and didn't match her dress.
Ortarix literally ran to her swish hotel suite with a smaller pouch in a different shade. "She even offered to return the other one," he said.
Like other designer labels, Swarovski flies into the festival each year, setting up a showroom in one of the city's swankiest hotels where movie stars and celebs are offered jewels and accesories on loan.
"People the world over watch the red carpet for new styles. It makes our customers dream they too can be as stunning as the stars," he said.
In a showroom nearby looking over the Mediterranean, Lebanese couture supremo Elie Saab has flown in 100-odd evening gowns worth anywhere from 3,000 to 30,000 euros -- also lent for the night for free, but only to celebs.
"Our problem this year is there're more male than female stars but we don't do suits," said spokeswoman Emilie Legendre.
Bollywood beauty Aishwarya Rai, Chinese star Fan Bingbing, Britain's Helen Mirren and Longoria all stepped out in Elie Saab at Cannes this year.
Once loaned, the gowns can never hit the red carpet again.
A recent documentary titled "Red Carpet" said members of last year's Cannes jury that names the winners of the festival awards were paid "90,000 euros each to wear an Armani creation for the opening ceremony.
At the Oscars, said the movie's director Olivier Nicklaus, fashion houses lavish sums of up to 250,000 dollars to get a dress in the spotlight.
But Elie Saab's Legendre said their fashion house did not had over cash.
"We don't have muses, we don't pay. People call, or their agents, asking for a gown. Sometimes the requests are made in Los Angeles, way before Cannes, sometimes it's a last-minute affair."
The label brings a seamstress for the duration of the filmfest and when necessary finds a hairdreser, jeweller, shoes or bags.
"Newcomers to the red carpet also want advice, asking 'When must I stop, when do I turn to catch the cameras?'", she said. "It's a very intimidating thing to have to do."
With premieres, parties, photo-calls and cocktails, luxury labels are busy throughout the 12-day festival, the movie world's biggest annual event.
Chopard, the legendary Swiss luxury goods firm, hired the rooftop terrace of the Martinez hotel, where suites can cost tens of thosands of euros a night, for the duration of the festival.
There it hosts soirees where champagne flows and stars wander in and out.
At a mega-party for its 150th anniversary, Lionel Richie flew in to perform for A-listers such as Paris Hilton, Marion Cotillard, Meg Ryan and Naomi Campbell.
Chivas whisky, one of 40-odd partners of the festival, treats its best customers to a day in Cannes, including wining, dining, late night partying and a red carpet premiere.
So as the Cannes finale looms, the battle has begun to dress the stars who will climb the carpet for the very last day.
"We don't know yet though the rumour-mill is beginning to buzz," said Legendre. "In the meantime we're on call here every day from 4 pm to midnight in case a star needs a dress."by Claire Rosemberg
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